![]() The meaning and use of the grotesque is also changing in architecture. It is also argued that it perpetuated superstition instead of articulating what is real or the truth. Some critics dismissed the use of the grotesque such as Frances Barasch, who maintained that it is an idle toy and not of any great use. Many of these showed up as grotesques and chimerae, carved on the buildings. It fell to them to not only present the stories of the Bible but also portray the animals and beings who populated the folk lore of the times. This word is derived from the Italian word babuino, which means " baboon".īridaham, in his book Gargoyles, Chimeres, and the Grotesque in French Gothic Sculpture points out that the sculptors of the Gothic cathedrals in the twelfth and thirteenth centuries were tasked by the Pope to be "a preacher in stone" to the illiterates who populated Europe at the time. In the Middle Ages, the term babewyn was used to refer to both gargoyles and chimerae. Chimerae are often described as gargoyles, although the term gargoyle technically refers to figures carved specifically as terminations to spouts which convey water away from the sides of buildings. In architecture, a grotesque or chimera is a fantastic or mythical figure used for decorative purposes.
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